/ November 14, 2020/ Uncategorized/ 0 comments

This range gives the Mark VI considerably greater reach than the 24-70mm of its recent predecessors and finally brings some competition to Panasonic’s Lumix TZ100 / ZS100 and TZ200 / ZS200 models, and while the new Sony doesn’t share their optical reach, its aperture is brighter and autofocus more effective for tracking action. The clickless lens ring, tiny buttons and lack of any finger grip might frustrate more advanced shooters, although it’s largely fine for simpler shooting. It’s not quite what you can get from a larger-sensor mirrorless camera or DSLR, but it’s certainly more natural looking than what you get from most smartphones. It can record 4K 3840 x 2160 footage at 25fps with full pixel readout, which delivers highly detailed footage with no field of view crop. It can keep track of a moving subject, and more importantly keep it in focus, while shooting faster than any interchangeable-lens camera on the planet. Versatile rear display. We had the RX100 VI for several weeks, toting it around alongside a smartphone. The Mark VI also inherits the electronic shutter option introduced on the Mark IV. Brilliant! The pop-up flash is available for really dark situations, but as with any on-camera flash, we recommend avoiding it unless you really need it. This sixth-generation model is the biggest update we've seen in a while to Sony's growing range of RX100 pocked-sized high-end compacts. I found my GS7 can often be a few meters out when kept in my pocket, so if I’m after the most accurate co-ordinates during a session, I try to keep my phone in the top of my backpack. Just how many photographers will need this capability on a pocket compact is a different question. The RX 100 VI is a fantastic point-and-shoot camera. There isn't a jack for an external mic, which is an unfortunate omission. The standout feature of the mark VI is that 8x zoom lens, offering a full-frame equivalent focal length range of 24-200mm. This can be useful if you desire slower speeds than the camera’s suggesting (perhaps to deliberately blur motion or because you’re very steady), or if you desire faster ones to freeze action. The Sony RX100 VI is a sweet little camera that’s solid as a brick, but we must put an emphasis on “little.” Although as easy-to-carry as can be, the buttons and controls are tiny and often require fingernail edges to operate. The material on this site may not be reproduced, distributed, transmitted, cached or otherwise used, except with the prior written permission of Condé Nast. In selfie mode, simply tap the screen and the camera counts down so you can prepare for show time. To revisit this article, select My⁠ ⁠Account, then View saved stories. At the very least you’ll need a wrist strap to save the camera when it inevitably slips from your grasp, and I’d strongly advise adding the stick-on Sony AG-R2 grip, or one of the multitude of third-party alternatives. The RX100 VI features a similar concealed pop-up electronic viewfinder (EVF) to the one we first saw on the RX100 III, with a 2.36 million-dot resolution and a magnification of 0.59x. The payoff, then, is that while the lens offers considerably more reach over the 24-70mm optic, the maximum aperture available isn't quite as impressive. We will spare you our usual rants regarding the company’s menu system. This doesn’t mean it’s perfect. As such vloggers will prefer the older Mark V (see my Sony RX100 V review), but anyone wanting a capable pocket camera for travel will appreciate the longer zoom range not to mention its ability to track and capture action. The monitor can be angled in many ways such as for overhead shooting, or flipped a full 180 degrees into selfie mode. Small size makes it hard to hold on to at times. Sensor: 20.1MP 1-inch Exmor RS CMOS sensor, Screen: 3.0-inch tilting touchscreen, 921,000 dots, Viewfinder: EVF with a 2.36-million-dot resolution. 24 fps continuous shooting with full continuous AF 4. High-density Tracking AF clusters focus points around moving subjects for increased accuracy, while Sony’s much-touted Eye AF is also onboard for shooting portraits. With RAW disabled, you can choose from Toy Camera (with five different filters), Pop Colour, Posterisation (in Colour or Black and White), Retro, Soft High Key, Partial Colour (with the choice of red, green, blue and yellow), High Contrast Mono, Soft focus (with the choice of Low, Mid or High), HDR Painting (with the choice of Low, Mid or High, or as I like to call them, awful, horrendous or appalling), Rich Tone Mono, Miniature (with the stripe of focus variable between Auto, Top, Middle Horizontal, Bottom, Right, Middle Vertical or Left), Watercolour, or Illustration (with the choice of Low, Mid or High). Even the best portrait mode photos can't compare to real bokeh (melty backgrounds) produced in-camera. When Sony released the original RX100 back in 2012, it revolutionized the pocket camera at a stroke. Those issues aside, the RX100 VI delivers sharp images and boasts impressively fast focus and astounding continuous shooting rates, along with top-notch video features and quality. Quality is very good right out of the camera, but the RAW files also offer a good amount of flexibility. And I’m delighted to report the optical quality is surprisingly good for the camera’s size, especially at the longer-end of the range where many rivals begin to suffer from softness and reduced contrast. A new front-end LSI chip boosts processing speed even further. Certainly there's nothing else that can touch it when it comes to performance, while the images …

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