The Staccatos blaze up dramatically like no other interpretation. Oh my god. A while back I heard this piece (my favorite in almost all of opera) performed by someone who sang the notes at 00:28 in the Ingmar Bergman video you posted with what sounded like (to my semi trained ear) almost tennueto. "Der Hölle Rache kocht in meinem Herzen" ("Hell's vengeance boils in my heart"), commonly abbreviated "Der Hölle Rache" and also referred as "Queen of the Night's Aria", is a song from the 1791 opera The Magic Flute. Also, my absolute favorite is Gruberova. If your average native English speaker doesn't even know what it means (and if you have to define it in a footnote, you already concluded that they would not) then using it is not doing anything to help them understand no matter how exact it is. Take your favorite fandoms with you and never miss a beat. Fühlt nicht durch dich Sarastro When he finishes the song, the people throw roses and cheer for him. Hört, Rachegötter, hört der Mutter Schwur! Edda Moser. So if the reader wishes to read the text as "oath" rather than "geas", then that option is freely available to them. Read Interesting facts and hear great YouTube Videos about the famous Aria “DER HÖLLE RACHE”. I then came to Munich, when producer Helmut Storjohann told me: ‘There is a little problem: Mrs. Sawallisch (the cond… It is interesting to follow the discussion if oth or geas (never heard before and as explained of gaelic origin) is the better translation of Schwur. People won't go "Oh, here it means THIS" if they don't know what geas means. Hear, Gods of Revenge, Hear a mother’s oath! My favorite is Lucia Popp, but that's just a matter of opinion. Fühlt nicht durch dich Sarastro Todesschmerzen, So bist du meine tochter nimmermehr. It is peppered with murderous difficulties and leads the voice to the outermost regions of the voice range. "Der Hölle Rache" is a song from Mozart's opera, The Magic Flute.It was sung by Kenny McCormick in the Season Four episode, "Quintuplets 2000".. Background. Translation of 'Der Hölle Rache kocht' by Wolfgang Amadeus Mozart from German to English (Version #2) Deutsch English Español Français Hungarian Italiano Nederlands Polski Português (Brasil) Română Svenska Türkçe Ελληνικά Български Русский Српски العربية فارسی 日本語 한국어 With the greatest respect, there is no interpretation involved. May be, but she is giving her orders to the daughter because of her vow. This isn't Norma, Armida, or Roberto Devereux. Seriously though, there are a lot of phenomenal artists who have sung this role. I have never been able to figure out the massive appeal of this aria. Would you happen to know who this may have been? She gives Pamina a dagger, she orders her to kill Sarastro with that dagger and she threatens to disown her daughter if she does not fulfil the obligation.". Gruberova made her debut in this role 1974 at the age of 24 at the Vienna State Opera and sang the same year in Salzburg under Herbert von Karajan. Lucia Popp’s reaches the high notes with ease and, despite the effort, she remains light yet expressive. This role earned her the nickname “Queen of Coloratura”. Sarastro wird erblassen! She tells Pamina that her deceased husband has handed over the Sun Circle to Sarastro and he thus received power. Note 2: The preceding German to English translation by mario.rodriguezgonzalez.9 was a source for this translation. On the third “hört” Mozart composed a B instead of the expected A, which makes the listener shudder: The end is again a recitative-like passage marked by hate. I can't...I have no words. Dessay's always were (that is, until she lost them). DER HÖLLE RACHE – the revenge aria from the opera die Zauberflöt... https://opera-inside.com/wp-content/uploads/2019/05/Opera-Inside-die-Zauberflöte-Mozart.png, https://opera-inside.com/wp-content/uploads/2019/03/opera-inside-wp.png, DER HÖLLE RACHE - the revenge aria from the opera die Zauberflöte. None of her notes were as big as they sounded in recordings. Hört, Rachegötter, hört, der Hands down from a global perspective. The role of Königin der Nacht is written for a dramatic coloratura soprano. I am not Peruvian, but this is my help: When I watch and listen to her as a human being and a lover of music and drama, she is an absolute joy. Hört, Rachegötter, Not to detract from Damrau at all. I'm sure there are many words in old English that would give more exact definitions of many things, but even the rules of this website favor language that is easy to understand. Like she began the notes at forte and backed off to piano before hitting the next note. Der Hölle Rache (Revenge aria) (4) – Gruberova. Verstoßen sei auf ewig, verlassen sei auf ewig, zertrümmert sei'n auf ewig alle Bande der Natur. I said I’d like to take the second one. Wilma Lipp did a lovely recording, the one with Böhm conducting. However, the key difference between those terms and the proposed term, "geas", is that a vow / oath one swears willingly oneself, whereas a geas is an obligation that is imposed upon one. Asking you because you seem to have knowledge that I lack. Mozart's friend Emanuel Schikaneder wrote the words. Here the queen is seething with rage. Mother is threatening the daughter but the "Schwur" is made to herself. She is outraged. Then Helmut Storjohann, whom I adore, said: ‘If the Edda doesn’t sing the Queen of the Night, the whole production will be cancelled!’ Sawallisch then swallowed the pill and asked me at the first session a little cool if I wanted to start with the first or second aria. But when I listen to her as a musical entity with my ear to more fundamental qualities, I sometimes struggle with the sound. If she is "ordering" or asking is also a question of interpretation, in any case daughter did not follow. "Der Hölle Rache kocht in meinem Herzen" ("Hell's vengeance boils in my heart"), commonly abbreviated "Der Hölle Rache", is an aria sung by the Queen of the Night, a coloratura soprano part, in the second act of Mozart's opera The Magic Flute (Die Zauberflöte). It was sung by Kenny McCormick in the Season Four episode, "Quintuplets 2000". It is precisely because the obligation is being imposed by the Queen of the Night, rather than it being an obligation that she is taking upon herself, that "geas" is considered a more accurate translation than "oath". Luciana Serra. But I'm surprised no one has mentioned Dessay yet. Edita Gruberova is a technique monster but often with this role, wildly inconsistent.
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