/ November 14, 2020/ Uncategorized/ 0 comments

Bach from Flute Sonata in A minor Carl Philipp Emanuel Bach, arguably the most talented son of the great Johann Sebastian Bach, ends his Sonata for Solo Flute in A minor with this binary-form Allegro, a virtuoso movement in the style of Quantz's flute sonatas. This Allegro is the opening movement of the second of 5 Divertimentos for three basset horns composed by Wolfgang Amadeus Mozart from 1783 to 1785. Terms of Use | Copyright © 2009–2020. This Allegro is the opening movement of the second of 5 Divertimentos for three basset horns composed by Wolfgang Amadeus Mozart from 1783 to 1785. J.S. There are no recordings for this tune yet. Other Movements from the same Work CSS, from Divertimento No. 2. 2. The second theme, on the other hand, is more graceful and in D major, the dominant key of G major. Contact Privacy | HTML | It is in sonata-allegro form, and starts off with a Mannheim rocket theme. Bach's) English Suites, with a seasoning of wide leaps and swift modulations. Other Movements from the same Work Submit yours! from Flute Sonata in A minor Here is the second movement of Carl Philipp Emanuel Bach's Sonata in A minor for Solo Flute. In the Allegro, which constitutes the second movement of the sonata, the aforementioned stuttering trumpet call appears frequently, and provides the basis of much of the harpsichord accompaniment, while the flute spins out highly florid melodic lines. These pieces were later rearranged for solo piano and published as the Six Viennese Sonatinas, which is why this piece is also known as the Allegro from Sonatina No. This binary-form (AABB) Allegro in 2/4 time has the energetic geniality of a movement from one of the composer's father's (i.e. These pieces were later rearranged for solo piano and published as the Six Viennese Sonatinas, which is why this piece is also known as the Allegro from Sonatina No. 2, transcribed for flute and piano. | Other Movements from the same Work Other Tunes in the same Categories Tune of the Day: Allegro by C.P.E. This is typical feature found in many works of the Mannheim school composers, basically consisting in a swiftly ascending passage.

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